- Ben Ibrulj
“Sublime Negation: The presence of the Schopenhauerian sublime in the poetry of Mallarmé” - Audrey Hood
“Lost in the Labyrinth: Forgetfulness, Folly, and the Promise of Instruction in Phèdre” - Jonathan Van Hecke
“Joan after Joan: The Maid’s Passion in Poetry, Film and Theatre” - Adam Smith
“Discursive Violence in Rachilde’s The Juggler” - Grace Shymanski
“A New Meursault: A Comparative Reading of L’Étranger and Meursault, contre-enquête” - Grace Jewell
“Je juge que tout est bien: Confronting the absurd alongside Sisyphe and Meursault”